I derive my greatest satisfaction as an artist from the sheer joy of doing - of being
at one with the wood and releasing the beauty that is within. I love the challenge
of looking at and listening to a piece of wood and letting it reveal to me what
should happen with it. I have a tremendous sense of inner peace about my life and
my work, and hope that those who touch the pieces of art I have created can feel this
in the work itself.
In the early 1970s, I was a mechanical engineer with a manufacturing firm located in
Phoenix, Arizona. A typical senior executive, I was on the "fast track" for success
in the business world. But then, after a long period of reflection and listening to
my "inner voice", I decided to make a major change in my life. In 1975, I walked
away from my business career to pursue my growing interest in art.
While searching for a medium in which to express myself, I discovered desert
ironwood, a species of wood that is found only in the Senoran Desert of Arizona.
I began to make daily treks into the desert to locate chunks of this rare wood,
some of which had lain dead in the desert for between 200 and 1,500 years.
I was intrigued by this wood and began experimenting with techniques for
working in this difficult medium.
First, I adapted tools to allow me to polish ironwood like stone, revealing rich
wavy patterns of color ranging from a pale cream to a dark mahogany-like grain.
Next, I developed techniques for inlaying sterling silver and turquoise into the
wood. I have now spent twenty-five years developing and refining techniques for
working in this challenging medium.
This is a unique art form, requiring an unusual combination of mechanical ability,
artistic sensitivity, and, above all, patience. Trained as an engineer, self-taught
as an artist, I am fortunate because my work is now residing in homes and galleries
in more than eighty-six countries around the world. Even more so, however,
I am truly blessed to have found work that I love to do.